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Though I am young and feminine—very feminine—I am not that quaint
conceit, a girl: the sort of person that Laura E. Richards writes about, and
Nora Perry, and Louisa M. Alcott,—girls with bright eyes, and with charming
faces (they always have charming faces), standing with reluctant feet where
the brook and river meet,—and all that sort of thing.
I missed all that.
* * *
And then, usually, if one is not a girl, one is a heroine—of the kind you read
about. But I am not a heroine, either. A heroine is beautiful—eyes like the sea
shoot opaque glances from under drooping lids—walks with undulating
movements, her bright smile haunts one still, falls methodically in love with a
man—always with a man—eats things (they are always called “viands”) with
a delicate appetite, and on special occasions her voice is full of tears. I do
none of these things. I am not beautiful. I do not walk with undulating
movements—indeed, I have never seen any one walk so, except, perhaps, a
cow that has been overfed. My bright smile haunts no one. I shoot no opaque
glances from my eyes, which are not like the sea by any means. I have never
eaten any viands, and my appetite for what I do eat is most excellent. And my
voice has never yet, to my knowledge, been full of tears.
No, I am not a heroine.
There never seem to be any plain heroines except Jane Eyre, and she was
very unsatisfactory. She should have entered into marriage with her beloved
Rochester in the first place. I should have, let there be a dozen mad wives
upstairs. But I suppose the author thought she must give her heroine some
desirable thing—high moral principles, since she was not beautiful. Some
people say beauty is a curse. It may be true, but I’m sure I should not have at
all minded being cursed a little. And I know several persons who might well
say the same. But, anyway, I wish some one would write a book about a
plain, bad heroine so that I might feel in real sympathy with her.
One Macabre Afternoon to Begin
It’s a terrible story and one way to tell it is this: two girls in love and a fog of
wasps cursed the place forever after.
Maybe you think you already know this story because of the movie made
of it. Not so, but you’ll discover that soon enough. For now, let me acquaint
you with Vespula maculifrons: the eastern yellow jacket. If you’re imagining
some do-gooder honeybee humming about the pastel pages of a children’s
book, don’t.
Eastern yellow jackets are aggressive when provoked, relentless when
defending their underground home. They don’t make honey, but might I offer
you instead the desiccated insect paste they use to grow their masses? A
given colony’s workers are all stinging, sterile females who, in autumn—
when they’ve been laid off from their busywork and can sense that the
coming freeze will bring their deaths—just want to fly around, bored and
gorging on carbs. (But then, don’t we all?) Because they also feed on carrion,
some people refer to them as meat bees. That’s technically incorrect, but it
sounds good.
Most crucially for our purposes here, you should know that when they’re
in distress, yellow jackets release a pheromone to call on potentially
thousands of their angry friends to help them come get you.
In this case the you was Clara Broward and my God was she ever in love
with Florence “Flo” Hartshorn. And my God did that fact ever upset Clara’s
wretched cousin Charles, who was just now chasing Clara through the thick
woods surrounding the Brookhants School for Girls. The air in those woods
was weighted with the scent of fern rot and ocean tide, apple mash and wet
earth. And more than that, it was humming with the trill of yellow jackets. A
few were probably already swirling around Clara like dust motes sprung from
the beating of a rug, their buzzing pitch threaded to her pulse as her messy
steps propelled her toward a clearing, and the Black Oxford orchard, where
apples felled in a recent storm now spoiled in the heat.
And it was hot, the day humid and gray—one of those overripe summer
days that sometimes linger into fall. And waiting there in the orchard with
those spoiling black apples, lolled beneath a tree with juice dripping from her
chin, was Flo—the love of Clara’s young life. A life about to end.
Two lives about to end, careful Readers.
We know that the year was 1902, and the state the tiniest in the nation:
Rhode Island. We know that the Brookhants fall term had been in session for
six weeks. And we know that Clara took off into that section of woods, onto
the orchard path, because several of her classmates watched her do it. She’d
just been delivered back to campus after a weekend stay at her parents’ house
across the water in Newport, a house that they were then readying to close for
the season.
Cousin Charles had been the one tasked with driving Clara to campus.
More than a few students had noted this because what he’d driven her in was
still something of a loud and chugging novelty, even for the wealthy
Brookhants population: a gas-powered automobile. And not just any
automobile, but a Winton—same as the Vanderbilts—which is exactly why
Charles had gone out and bought the damn thing, along with the even
stupider driving goggles that went with it. And he was, of course, wearing
them when they pulled through the Brookhants gates, and then, as he slowed,
he pushed them up, which smooshed his hair back into a nest atop his
horrible head. Maybe some of the girls had, in fact, later said that he looked
rakish and fine, but for now let’s discount their certainly incorrect opinions.
The important thing to know is that Charles and Clara were arguing as
they arrived. And they continued to argue, the onlookers said, as he parked
his loud contraption in the circle drive before Main Hall. They seemed to say
their goodbyes very unhappily, Charles lunging from the car before gathering
Clara’s belongings only to dump them on the ground, all the while continuing
to lecture her. Then he climbed back into the driver’s seat and pouted there,
his arms folded tight across his chest, his dumb face bitter as a cranberry and
nearly as red.
But whatever the commands she’d just been given, Clara did not stoop to
gather her things and go inside her dormitory, as one might have expected of
her.
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